A Recurring Challenge
Every time we speak to our handmaker about a new design they same the same thing - “don’t worry about tooling, we’ve made thousands of hands over the years and we’ll definitely have done your design at some point”. Which, rather than being taken as a reassurance that we’ll save time and money, is invariably taken as a challenge to the originality of our designs!
The Model 1 hands were designed at a time when that style of syringe hand was out of vogue (just before the beautiful Jaeger-LeCoultre Master Control “Sector Dial” was released) and we thought we’d come up with something new. Estima, our hand maker, did have similar styles on file but the closest were boxier and slightly the wrong lengths, so we went ahead with our own design.
The Model 2 Hands
The concept was simple; a set of floating hour and minute markers moving around the dial.
This original idea morphed through the design process and we ended up with a hand which held the needle like a human hand holds a pen. It was delicate whilst having presence, skeletal and bold like the numbers whilst still being crisp and light.
Watch hands are made by stamping out the design from a sheet of metal, normally brass (in Switzerland, or aluminium in China). It’s a very small cookie cutter essentially, pressed down with a great deal of force.
The first challenge which faced us - or more accurately, our factory - was the gap between the needle and the rest of the hand which held it. This hair's breadth gap really tested their tool-making skills!
After some months we had a set of production hands, but they weren't able to be lumed by the manufacturer or our own watchmaker as they were too fine. The lume would splay sideways at the point the needle was held, making it impossible to create a straight line.
Fortunately, there is one company in Switzerland which specialises in highly detailed painting and luming, and they managed to apply the Superluminova perfectly.
This enamel boasts a deep garnet centre and impressive smoked edge. The irresistible warmth of this reddish purple makes it difficult to describe without adopting the vernacular of a sommelier.
This smoky grey takes its name from the painter William Payne, who invented and popularised the practice of combining coloured paint pigments to create a deep, shadowy alternative to the...
By far the most popular of the Model 2 Fumé dials, its comparison to an aurora sky seems apt - especially given the play of light and shadow that the...
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